There is a photograph at the front of Louise Emmons's monograph that I find I cannot stop returning to. This is what it has come to mean.
There is a photograph at the front of Louise Emmons's monograph that I find I cannot stop returning to. This is what it has come to mean.
The northern park's rivers gave me one Noel Kempff. The south offers another — older, drier, almost unvisited.
On what wilderness asks of those who go into it, and what it offers in return.